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On June 12th, 2000, a man boarded a bus in Rio de Janeiro with the blueprint of robbing its passengers. When the robbery turned sour, Sandro, the perpetrator, turned the driver and the passengers into hostages, threatening to demolish them one by one if his demands weren’t met. Carried live on Brazilian television, the event garnered national attention as the tense standoff between Sandro and the police played itself out. “Bus 174,” a riveting documentary by Jose Padilha and Felipe Lacerda, is an chronicle of that event.
Not whine to merely rehash the details of that day’s experience, the filmmakers consume their film as an opportunity to query many of the social ills that laid the groundwork for the tragedy in the first space. The harshest criticism is reserved for the Brazilian government and the Brazilian people who recognize the other device when it comes to the hundreds of homeless children living on the crowded streets of Rio de Janeiro. Sandro was himself such a child, having witnessed the execute of his mother at a young age then turning to street life and street crime as his only means of survival. We learn that not only is the quandary of such people routinely ignored by the expansive majority of Rio’s residents, but that both citizens and government officials have taken a proactive fragment in harassing and, in some cases, even killing these children. Sandro is clearly a product of his environment, and his actions on that day largely extend from the lack of a societal connection he’s felt all his life. The directors also remove swipes at an incompetent, depraved police force, a brutal, dehumanizing prison system, and a sensation-seeking, voyeuristic public who feeds on the unfolding live tragedy as if it were a Hollywood action movie or some kind of lurid scripted drama.
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Interwoven with footage from the real incident are interviews with various participants in the drama, ranging from police officials to SWAT team members to surviving hostages to tortured prisoners to social workers to psychologists to friends and relatives of Sandro himself. Through these interviews, Padilha and Lacerda weave a tapestry of Brazilian society that spares no one and indicts us all in one device or another. What is most impressive about “Bus 174″ is how our emotions come by all tied up in a knot, as we gain our loyalties shifting attend and forth between the various participants in the drama. At one moment we sympathize with Sandro and all the suffering he’s experienced, and the next with the innocent hostages who simply want to hasten this madman and return to their normal lives. At times, we win ourselves rooting for the befuddled cops, while at others, we are inclined to side with the downtrodden and glance the law enforcement officials as the apt villains of the allotment.
The events that occurred on that day shook a nation, serving as a wakeup call for a society that has attempted to sweep its injustices and social ills under a blood-stained carpet. Yet, this isn’t a place fresh to Rio, by any means, for Sandro’s myth is representative of what happens in all major cities when poverty and misery are allowed to go unchecked and when indifference to suffering becomes the norm of the privileged classes. “Bus 174″ is more than impartial a recounting of an isolated incident; it is a notice into the unlit heart of Man that we all ignore at our occupy wretchedness.
A word of advice: if you are going to review, please DO NOT give away the ending…I’m overjoyed I read all these reviews after I saw the video…section of the film’s power is the suspense.
ANYway, I showed this video to my criminal justice class and we did a compare/contrast to the shootings at Columbine high school. Emotions in the class ranged from frustration to infuriate to sadness and students left the room talking about it!
Although the film may be viewed as biased, there is no examine to reality when one sees the interior of the jails and the treatment of the inmates, learns of the lack of training and sees it in the Rio PD, and observes the street kids as they huddle on cement in shabby blankets, sniff paint & glue from a plastic bottle, and don extinct clothing with American sports logos. It is gritty, it is suspenseful, it is sad and eye-opeing and everything you would want in a documentary. The needless demolish of human beings, the surreal world outside of the US and inside of a Rio jail, and the videos of the streets where “Sergio” survived is in your face without being preachy or judgemental.
I highly recommend this video to other educators, and when you compare it to Columbine high school shootings, it brings it home with a search for at culture, law enforcement, government, etc.
Thyromine
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